And as some of you know, I'm working on an art journal which includes all my French Historicals Oh-La-La! Challenge reads. I've been drawing several sketches for this art journal- (and I promise to show you some of this art by blogging about this very soon)- but for today, in honour of this great book and the Gortner HFBRT Event, I'm posting my drawing of a young Catherine de Medici.
Here’s Catherine as a teenager...still so young, yet off to be married to the Dauphin of France (would soon to-be, Henri ll).
As some of you may already know- I love history- and I love to draw historical figures. I’m presently working on an art journal based on books I’ve read for my very own:
The art journal itself is actually part of the Review journal challenge back at my friend Roberta’s place: Contain-It.
I’ve put together a few pictures for my journal which I’ll upload sometime next week to show you my progress.
But today, I'm posting Catherine de Medici that I’ve drawn for the book I just finished reading: THE CONFESSIONS OF CATHERINE DE MEDICI, by C.W. Gortner (you can read my review here).
This is a wonderful book- and if you’re interested in reading more about the whole fabulous event and to join some great giveaways- go check this out.
Here’s Catherine as a teenager...still so young, yet off to be married to the Dauphin of France, soon to-be, Henri ll.
THE CONFESSIONS OF CATHERINE DE MEDICI, by C.W. Gortner is by far the clearest, out-of the box-take on this usually overly vilified queen of France. This in depth biography-type novel reveals a Catherine that not many people know- and that in itself is incredibly original as well as refreshing.
The Catherine in Gortner’s book has been researched to the max- and although the author took the liberty of slightly altering names and events for creativity and flowing purposes (this merely avoided the encumbrance of an historical index of names appearing just for the sake of accuracy- and I appreciated that!), the history is impeccably spot-on. Bravo for a novel that stuck to its essence while bringing us so much more!
How can this Catherine be so different? Well, for one, THE CONFESSIONS OF CATHERINE DE MEDICI, portrays an all-around complete Catherine; woman, mother, queen, lover, friend , ruler, patriot, and ultimate monarch. The emotions alone, that each of these roles entail are enormous and not always easy to convey in a novel; especially when written in the first person. Magically, Gortner achieves this to perfection.
Is it possible to love Catherine, when history has done everything possible to morph her into an absolute monster? When you read the how’s and why’s of Catherine’s actions, you begin to understand the person behind the story. It’s often easier to hold on to shock images that create an impact effect rather than to delve into the intricacies of the history itself. After reading Gortner’s magnificent novel, I understood the history so much better.
The details in Catherine’s life, France, her children, the political situation, the religion!- all in flawless account, like layers of a collage with Catherine woven into its web, this story opens up a whole new dimension into France’s ruling family of the time. And, if after reading this novel you still can’t find it in you to love Catherine- I guarantee you’ll begin to sympathize with her in ways you’ve never imagined.
So many facets to this woman: Catherine was headstrong for her nation, yet showed vulnerability in the face of love. She kept strong for her husband and endured the belittlement and embarrassment caused by his mistress and that whole awkward situation. She arranged marriages for her offspring with the nation in mind- yet had immeasurable love for them and an acceptance of their choices which was unparallel of her time (Her love for her son, Henri, poured unconditionally-beautiful!). Catherine had an uncanny foresight for great things, but sadly never had anyone to completely share her own doubts, needs, fears and- love. The enlightenment that no religion should divide a country and that France was all her people, not only Catholics-this too was grand.
I have to admit that I never truly believed the Jezebel portrayal, so I was especially glad to read this fantastic novel which revealed Catherine as a woman of immense substance. I now see Catherine as a woman and ruler who sacrificed all for the ultimate good of France- a huge responsibility which she took charge of with all her might. Her focus never deviating from her purpose –no matter the cost.
I happen to love this quote from the book;
Catherine while on her deathbed:
“...I’ve had ample opportunity to reflect on this unseen entity who guides our path and to ponder why he has seen fit to test me so. Have I not struggled as much as any other for my blood? Others live fewer years; accomplish a mere fraction of what I have; and yet they sit enthroned with halos about their brows, while I sink like a villain in my own calumny.
As I wait the inevitable, I see the dead...my sometimes enemies and accomplices, each martyr to their cause. Important as they were in life, through death they have become legend.
And I ask myself, What legend will history inscribe for me?
Read Catherine as you’ve never read before – It’s time history got a dusting-Thank you C.W. Gortner for polishing it to a shine.
The C.W. Gortner Event continues here at EBJ with my creative post on Catherine de Medici:
No Choice, But The Better of Two Evils...
Catherine de Medici believed she had a ‘gift’...Oh, but not the kind you and I would delight in receiving. Her gift came upon her suddenly (not in the excitedly surprised- kind of way though). It made her ill, wobbly, anxious and often feverish...You could say that rather than joy, her gift delivered tragic results.
From a very young age, Catherine could ‘see’ things in her future. These sudden visions would bring about fever and convulsions, and mostly fear. Catherine gradually had no choice but to accept that there was nothing she could do about her ‘Gift’ except use it as a forewarning of future devastation.
In embracing that which she had no control over, Catherine sought further help through others who shared variations of the ‘gift’. She relied on apothecaries and seers for clearer predictions, cures and ‘precautionary concoctions’ that could either help, or destroy; depending on the need. As such, when we
we are presented with two of Catherine’s most important seers.
The two men were of very opposing minds and methods ever: Cosimo, the evil and NOSTRADAMUS, the pure. Both of these men helped Catherine in different ways. Cosimo brewed potions for childbearing, attractions, pain and poisoning...On the other hand, Nostradamus cured, restored and predicted royal ascensions, downfalls and tragedies. Up until their death, both of these seers remained true to the root and nature of their abilities. (If you read Gortner's book, you’ll understand what I mean by this).
At the time, (strategically convenient), Catherine did not see this dabbling as heretic or as contrary to her Catholic beliefs. In fact, she believed that everything she searched for in terms of predictions and cures was for the ultimate good of France, her people and her family. To her this was a necessary evil that bore no other choice.
Ultimately, you can say that Catherine was a true Machiavellian at heart (In fact, The Prince, by Machiavelli was her very favourite book). It’s probably no coincidence that Machiavelli’s main motto was no less than: The End justifies the Means. (How very Catherine indeed;)
is honoring my blog with a fit-to-measure Guest Post that will amaze you! Once you read the splendid piece he's written, you'll agree that Gortner goes beyond what is expected, in getting closer with his audience. This brilliant author shines not only through his enthusiasm for his craft, but also pours his genuine interest in what people actually want to read. I feel so lucky to have him write this especially for my readers at EBJ! Thank you so much C. W. Gortner:)
Catherine de Medici: An Italian in the Court of France
Popular history has painted Catherine de Medici as the perennial evil widow—the notorious queen mother who poisoned her foes and wreaked havoc upon France. Of course, history rarely tells us the whole story and Catherine’s is no exception. Still, the legend persists, and so we see Catherine enshrined forever in her unadorned black skirts and veil, a reptilian being without any glamour. We tend to forget that in fact she was once a pretty girl— thin, with the Medici’s slightly protuberant eyes, long beautiful hands, and, it was said, thick, curly auburn hair. She was not unattractive by our modern standards; though in her day, when willowy blue-eyed blondes were prized, she was never described as a beauty. Still, she had spirit and, most importantly, she had intelligence and a formidable education. A true product of the Italian Renaissance, she could speak several languages, read and write (in an age when literacy among women not of royal birth was a rarity, not the norm); and she imported with her to France the seeds of a cultural heritage that continues to flourish today.
It’s almost impossible to verify the claim that Catherine first brought pasta to France, though dried pasta was a staple in the 16th century for sea voyages. However, we can safely assume that if she did bring pasta, it wasn’t served in its most popular Italian incarnation, seeing as the first recipe for pasta with tomatoes was written in 1839. However, Catherine did import several other interesting devices, and her patronage of the arts made significant contributions to the French Renaissance and the world at large.
Like every well educated Renaissance person, she believed forces beyond our comprehension shaped the world; in particular, she was a firm believer in the power of astronomy and astrological influences. The French seer, Michel de Nostradamus, shared her belief and he dedicated many of his quatrains to her and her husband Henri II. She in turn patronized Nostradamus, safeguarding him and his rather unorthodox practices from the ecclesiastical authorities. Without Catherine de Medici’s protection and support, we may never have had the opportunity to read the visionary prophecies of Nostradamus.
Catherine was an avid art connoisseur who re-modeled the Louvre to house her vast collection. She was following in the footsteps of her beloved father-in-law, Francois I, whose obsession with purchasing art—in particular Italian art—is responsible for the Louvre’s housing of such masterpieces as Leonardo da Vinci’s Mona Lisa and Madonna of the Rocks. After Francois’s death, his collection languished in various palaces including Fontainebleau; under Catherine’s guidance, the art was protected ad preserved. In the same vein, Catherine had a keen appreciation for portraiture—a direct reflection of her humanistic education, in which the secular individual assumed vital importance. Under her patronage, the school of Clouet and others created astonishing images of some of the most important people of the age, including Catherine’s own children, allowing us centuries later to bask in their vivid, almost photographic likenesses. Her patronage of artists continued throughout her life; today, much of Catherine’s collection of portraits is on display in the Musée Condé, in the Château of Chantilly.
Architecture was another lifelong passion of Catherine’s, one in which she reputedly indulged rather wastefully. It is unfortunate that so little of her original architectural projects remain. Her chateau at Chenonceau, surely one of the most beautiful palaces on earth, bears testament to some of her work, including the gallery spanning the Cher River and sumptuous gardens. Another of her extant surviving projects is the impressive tomb she had built for herself and her husband in the mausoleum of kings in Paris’s Abbey of St Denis. It is sad to contemplate that the tomb now stands empty, as the royal skeletons were removed from the Abbey during the Revolution and tossed together into a common pit.
Catherine collected books and reputedly amassed a significant library, amongst which were several important treatises on nature and the occult. She was an amateur poet and patronized poets liberally at court, including the famous Pierre Ronsard, whose verses evoke the era so beautifully. Under her guidance, the theatrical scene of the era was enlivened, as well, with many court events including plays and other forms of stage entertainment, setting the scene for the Sun King’s later extravaganzas.
Perhaps most fascinating, however, are the smaller contributions she made:Catherine is believed to have imported the first artichokes to France, as well as the first example of the modernized side-saddle. She was also the first documented user of female undergarments in France— which, if true, indicates that before she arrived, the ladies went commando under their gowns. It does make one wonder just how Catherine went about introducing the benefits of underpants to the ladies!
Wasn't this AMAZING?! Thank you C.W. Gortner, This has been such a pleasurable read.
Please be sure to check out the fabulous GIVEAWAYS, Guest Posts, Reviews, Creative Posts and other fantastic happenings this week, by checking The Calendar of Events back at HFBRT.